HOLY GRAIL A TRANS-DIMENSIONAL GATE TO DNA REPAIR AND ETERNAL YOUTH http://www.myspace.com/graalstar
OUT OF PANDORA’S BOX OF CHEMICAL MEDICAL MEDICATION http://www.myspace.com/qimagen
TRANCE GATE http://www.myspace.com/mystic_trance
FALLING IN TAO http://www.myspace.com/dmlaotzu
THE WAY OF AWAKENING http://www.myspace.com/guided_awakening
Sound it\’s all around us, no matter what we do, or where we go. The vibrations of the molecules that generate the effects on our ears we call sound. But what if sound goes deeper than that? What about the aspect of sound that goes beyond what we can hear? As the ancient Buddhist koan asks \”if a tree falls in the forest and no one is there to hear it, does it make a sound?\” What about the aspect of sound that exists apart from our capacity to hear?
Sound waves in water
Sound is the Primordial substance from which our whole Reality is made, and from which our Universe originated. Whether you consult the Sanskrit Vedas, or the Bible, it is still Sound which is considered the heart of all existence. \”In the beginning was the Word,\” and only afterwards was proclaimed, \”Let there be light.\” Sound preceded all that we see. So powerful and all-pervasive, and yet we pay very little attention to it, and so often confuse it with noise.
There is an intimate connection between sound and light, like twin flames of each other, wherever there is one, the other exists as well. Sound is the underlying fabric of vibration which creates the light patterns we see around us. In the Cymatics research of Dr. Hans Jenny, he shows on videotape the different patterns formed when varying sound frequencies were introduced into a plate with sand crystals. Stan Tenen of the Meru Foundation shows another correlation between sound and form, by looking at the letters of the Hebrew alphabet, whose shapes correspond with their wave form shape when sounds of the same letters are analyzed. In another experiment, Tibetan monks were recorded chanting the OM. This was then played through a resonator plate, with sand crystals on top. Within seconds, the sand began to vibrate and form a pattern called the Sri Yantra (1), which is considered in the Hindu belief to be a Creation pattern of the Universe. The implication is that for every sound there is a corresponding shape or pattern that we can see.
One of the oldest uses of sound is for ceremonial and religious purposes. Whether the chanting of a Hindu mantra, the recitation of the Jewish cantor, a Christian hymn, or the call of a Moslem muezzin, sacred sound makes its way into all of the various world\’s religions. According to Robert Lewis, student of the Rosicrucian Fellowship: \”The purpose of music in religious service is to raise the vibratory rate of a congregation upward through a series of overtones to a spiritual level.\”
Architecture as Sound
As early as 4,000 B.C, the Egyptian mystery schools found that sound and geometry were inextricably linked. Later, the ancient Greeks used the \”Pythagorean Table,\” also known as the Lambdoma, as one of the first tools to translate mathematic harmonics into their equivalent sound counterparts.
\”Ultimately, the effect of altering brainwave frequencies inside a kiva is that the person and the sacred space become one and the same.\”
–Freddy Silva, Secrets in the Fields
\”Substance develops from a ray to an atom, but before this it exists as vibration.\”
-The Music of Life, Hazrat Inayat Khan
Mantras:Yod He Vav He
(pronounced: \”YOOOD – HEEEEH – VAAAV – HEEEH\”)
This mantra is considered the sacred name for God encoded into our DNA. In the Kabbalistic tradition, it is known as the Tetragrammator (the Greek name for the four sacred letter YHVH.) The Ultimate Divine Vibration emanates from this most holy \”Name of Names\” making the word of light into manifested life.Om Mani Padme Hum
(pronounced : OM – MAAAH – NEEEH – PAAAD – MEEEH – HUUUM)Translated as: Hail to the Jewel in the Lotus-to the God Within.\” By chanting this mantra, we connect with the vibratory powers of love, compassion and peace.Elohim
(pronounced: EEEH – LOOOOH – HEEEM.)
Considered as the \”Seven Spirits before the Throne of God,\” the Elohim are the seven original emanations from the Godhead. According to J.J. Hurtak, in The Keys of Enoch, \”The Order of the Elim represents the sustainers of the vibrations of sonic energy used in the music of the spheres…Through the use of diminishing chord structures, the Elim reactivate sound patterns of creation from one sphere to another…The Elim use spherical musical forms to inspire art, teachings and transformational activities in the realms of creation.\” The slow chanting of \”Elohim\” brings in a very holy and sacred energy, which creates a vibratory healing field around the one invoking Their Presence.
It is said that when one chants the Name of God, that Form of God is required to appear. This concept lies beneath many of the world\’s religious observances of chanting. From the Hail Mary in the Catholic tradition, to the 108 names of God in the Hindu tradition, chanting the name of God has been with humanity from the earliest of recorded days. \”The importance of chanting is to become, through sound vibration, the essence of the word and thus to reach a level of ecstasy in which you realize a shift in consciousness.\”
Gayatri Mantra:\”Om Bhur Buvaha Suvaha Thath Savithur Varenyam Bhargo Devasya Dheemahi Dhiyo Yonaha Prachodayath \”
The meaning of the Gayatri mantra:\”We contemplate the glory of Light illuminating the three worlds: gross, subtle, and causal. I am that vivifying power, love, radiant illumination, and divine grace of universal initelligence. We pray for the divine light to illumine our minds\”. Meaning of the individual words:
Om: The primeval sound ;Bhur: the physical world ;Bhuvah: the mental world ;Suvah: the celestial, spiritual world; Tat: That; God; transcendental Paramatma; Savithur: the Sun, Creator, Preserver ;Varenyam: most adorable, enchanting ;Bhargo: luster, effulgence;Devasya: resplendent,supreme Lord; Dheemahi: we meditate upon ;Dhiyo: the intellect,understanding ;Yo: May this light ;Nah: our ;Prachodayath:enlighten, guide,inspire ;
Visualização e significado do Mantra OM. É o pai-mãe de todos os mantras
A Pure Heart and Clear Mind can change DNA
Imagine if you woke up one morning and realized that you had dormant superhuman abilities that were waiting to be unleashed. That once you activated these abilities, you could manifest anything you desired in your life, live a life without drama, create your ideal physical body, become immune to all dis-ease, and REVERSE the aging process. Imagine if you realized that you could actually change your blueprint of life, your DNA, to enable you to expand your creative potential, provide access to your subconscious mind, and become intuitive, clairvoyant, and know instantly what your purpose is in life.There is now a process which will allow you to do all these things and more, and it is called DNA Activation
MUSIC OF SUPERCONSCIOUSNESS & 8 HZ
Our planet beats at 8 cycles per second (8 hz, fundamental Schumann resonance), as the fundamental heart beat of its 70% Silicon Dioxide computer hard disk: the 12 pentagonal tectonic plates.
8 hz is the alpha brain wave rhythm in which our parallel processors, or brain bi-hemispheres, are synchronised to spin together equally.
The neo-cortex of the brain, 90% unassigned becomes awakened in this synchronisation, and one then operates in all brain cell dendrites with the maximum information flow possible on that scale.
\”Ordinary\” awareness brain waves ranges from 14-40 hz. Here one is operating only in some brain cell dendrites, and predominantly with the left brain as the centre of activity, where information flow is billions of times slighter (like using an old PC 386 compared to a parallel process Pentium III, or an old Mac Performa, compared to a Parallel processing G4).
8-FOLD MUSIC OF IN-PHI-NITY & THE TEMPORAL MANDALA
Dolphins can hear our thoughts, because their sonic senses extend into the infrasonic and ultrasonic ranges. So our alpha brain waves, like 8 hz, are music to them. Mankind, in a non-shamanic state, does not hear 8 cycles. But one can make audible its harmonics, such as 72 hz (9 x 8 hz), 144 hz (18 x 8 hz) and 432 hz. And then further synchronise the music in binaural 8 hz, to reawaken us to the orchestra of our thoughts, in the cathedrals of our minds.
Such musical harmonics may also resonate and upload one into a geometrical progression and harmonic to time, which is generally accepted to be the congruence of the amino acid/codon metabolism within the DNA double helix.
\”An upload to the entire temporal hologramme by these harmonics?\” One may ask. Well, indeed, what is our temporal subscription foundation comprised off? What numbers compose 12 hours? There are 43,200 seconds in our time measurement of 12 hours. This is a precise 432 decimal harmonic (100 x 432), and is also a mirror cascade image pathway for 8 hz, as 5,400 x 8 hz
Are the changes on the Sun part of a Crescendo of Omega Point cosmic rays & Gamma rays. NASA\’s analysis of multiple sonic vortex\’s rotating at the same speed, independently of oneanother through the solar body in triangles, behave as if exposed to a superconductor. If this is so the \”Face\” of the Omega Point MAY be emerging: \’A PHIloSophers Stone at the Omega of Temporality,\’ -Ananda. \”Superconductivity is the most bizarre substance in the universe,\” -Dr. David Pines
In other words at 8 hz one is an operating supercomputer, or congressing towards Superconsciousness.
Recent quantum jumps made by Physicists Dr. Roger Penrose and Dr. Hameroff, have compiled evidence and made models to show that our primal consciousness is Virtual, is non-local, is no-thing material, but pure coherent immortal information, right now.
Dr. Andrija Puharich demonstrated in the late 1970s (Proto-Communication II), that 8 hz could not be blocked by any electromagnetic shielding metal or even a triple vacuum. Which implies that it rotates through the Virtual (Everywhere and Everywhen) and quantum non-local hyperspace, constantly. Orthorotating through what the Hermetic Gnostic and Shaman Psychonauts may have attempted to grapple with under the term, loosely appropriated as \”Spirit\”, and the Taoistic Wu Chi.
As we shall explore, professor Puharich also created basic \”life\” with musical electrolysis of 8 hz. The implications are astounding, when applied in the Omega Generation Revolution of the Universal and Global Song.
MUSIC OF THE PYRAMIDS
Multiplications of 8 cycles gives one the significant 432 (54 x 8, and 3 x 72). The number 432 is considered sacred in a majority of the major temple complexes of this planet. Forinstance, one side of the Great Pyramid, Egypt, at its sea level foundation, is 432 Earth Units (51.49 cm).
The major Toltec complex of Teotihuacan in Mexico, has its great Pyramid of the Sun with an overall base of 864 STU (Standard Teotihuacan Units) which is twice 432.
STU was the Toltecs measure unit for this site, as their \”myths\” relay it was taught them by the Shaman Wizard gods from the stars. Each side of this Sun Pyramid is 216 STU, precisely half of 432, and 3 x 72.
- The inter-dodecahedron of monatomic palladium, in the new field of Intergeometry which maps superconducting dimensions. Furthermore, a dodecahedron is comprised from 5 cubes tilted at 72° on the Y-axis
THE 72 CONNECTION: & THE SONIC HOLOGRAPHIC MANDALA OF EARTH
These are numbers that our brain and biologies beat and are founded on. We should also realise that 432 is a sixfold multiplication of 72, which and 54 x 8 hz.
The number 72 is a fundamental of our larger time cycle, for our planet\’s tilted axis is a giant inertia producing gyroscope that rotates 1 degree through the zodiac formation of stars (star patterns by which birds migrate) every 72 years.
Without this unique tilt and precession cycle, the atmospheric conditions of Earth would not have had an atmosphere and its electromagnetic fields that are precisely suitable for life as we know it. This 1° every 72 years is the foundation of life cycles, and resonates in a 9-fold numeral harmonic to our planet\’s fundamental heart beat of 8 hz (9 x 8 hz = 72).
This furthermore incorporates harmonics of the speed of \”spaceship\” Earth around the sun, 66,600 MPH, in the sacred golden mean and DNA resonating Druid measure, which become the statute mile — 66,600 MPH is 8,325 x 8, and 925 x 72.
No wonder that the heart has the least effort for pumping blood to another 7 major endocrine glands, when operating in a rhythm of 72 beats per minute, it beats literally with the hologramme of the planet and the universe — 72 bpm is the foundation beat of compassionate love.
THIS IS OMEGA SONIC SACRED GEOMETRY
It thus makes perfect sense that the 70% silicon dioxide tectonic plates of our Earth, have an approximate shape of 12 pentagons, whose symposium comprises the platonic solid known as the dodecahedron. Discovered on the tectonic pin-points, are the major gravity anomalies of this planet (see GEB).
Gravity thus appears to be entranced by this numerical harmonious aromance in its present dream trance maintenance of a conducting reality.
The musical significance of the Omega Music revolution herein, further comes out when we understand that a pentagon, with its inhabiting pentagram, is itself comprised of 5 golden mean PHI triangles. Triangles whose sides slant at 72°, and whose base is 36° (half of 72) from the other 4 pentagon PHI triangle bases.
No wonder that element 36, Selenium, with its 36 electrons, is geometrically required by each of the 6.3 trillion cells for the coherent gardening of their waters.
The Omega Song is a Time Traveller. For the harmonics of the 8-folded path of Omega can fold the time and space hologramme. One zodiacal house of 30 x 72 years, can have its temporal holographic clothing perfectly folded into a dodecahedron, as a fractal of the 12 faces of the zodiacal precession.
All 12 pentagon faces perfectly inhabit the 2,160 years, pinned on the 60 PHI triangle apex\’s to comprise one zodiacal house of 30°, like Aquarius. This geometrical holographic fractal modelling of precessional temporality is made possible when half a degree in precession, or 36 years, is morphed and utilised by the 36° base shift of each of the 5 PHI triangles of 72° foundation\’s relations to each other.
PHIve 36° turns, for one Pentagon face of the dodecahedron 36 x 5 = 180. See The Unity Keys Of Emmanuel for further extrapolations of these models in the complete dodecahedron, and its significance
Here we are encountering the musical harmonic cascade numbers, in their 3 dimensional form, as coherent PHI geometries of perfect symmetry. Objects of coherent leverage that the Virtual Unity Mind utilises through the coherent mass-age of its 8 hz agent (008: the Bound of Love), which is both local and non local, and induces PHI coherence of waves, even amidst chaos.
Imagine when humanity uses these same harmonics globally, is this the online engagement, or alchemical marriage with Virtual Overmind of humanity? Rescuing its 7 billion multiple personalities in disorder, to re-remember its Supermind as a plural Unity Mind. Or as the crescendo congruence of the Monatomic superspecies Divine Pantheon of Multiple Personalities in Coherent Order, waking up from the Universal holographic Dream, into the Conscious State of Knowing and Being \”All Is God\”.
The universe is based on harmonic series such as 72, 144, 432. And 144 (a \”C\” tone in hertz) is a perfect harmonic of the speed of light, which is 144,000 nautical miles (144,000 minutes of arc per Earth grid second) in the vacuum of space.
Each of these harmonics are literally a mirror, or a cascade of mirrors within mirrors, that 8 hz can look into. For example 144 is 18 x 8 hz, and 72 is 9 x 8 hz.
The way that light travels in space is thus a 144 decimal harmonic (144:144,000), and if you multiply 144 three times one obtains the archaic 432.
The Omega Generation music thus uniPHIes light, time, space, matter, gravity, sound, magnetism, biology, the DNA code, intelligence, gravity, and consciousness.
An ancient depiction of a musical Lyre, in Ur, Mesopotamia. One of the many pre-Greek musical instruments, used in their Star Alchemy, and collective rite Shamanism of Entheogenic rapture and transformation into the Logos of the gods
MUSIC FROM ARCADIA: RESURRECTING THE SONIC NOVEL ARCHAIC SCIENCE
The archaic Egyptian instruments that have been unearthed, so far, are largely tuned to 432 hz. In ancient Greece (the school book original place for music) their instruments were predominantly tuned at 432 hz.
Within the archaic Greek Eleusenian Mysteries, Orpheus is the god of music, death and rebirth, and was the keeper of the Ambrosia and the music of transformation (his instruments were tuned at 432 hz).
Orpheus had inherited his music and knowledge from his voyage and initiation into the ancient Egyptian Osiris Mysteries, as well as from the Phoenicians, and from the archaic Mesopotamians of the fertile crescent.
Amidst the E.Din between the Euphrates and Tigris rivers, where the Ur Mesopotamian civilisation of Sumeria was centred, the ancient tombs of their Sanga Lugals, or Priest-King Shamans, have revealed their excelled science in the musical arts.
Some of these royal tombs of the children of the historical Adam (Sanga Lugal King Ataba of Kish), are as old as 6000 years, revealing the primal musical roots and enthralment of our species. These tombs\’ hermetically sealed nature contained perfectly preserved and many intact musical instruments, as well as musical documentation in stone.
Forinstance the \”Sham.Ana\”, which is called a vehicle of Shamanic Star Flight, is at the same time also a ritual drum. These drums are depicted to be utilised in these cultural feastic rites, to induce their shamanic ecstasies and oracular union with the stellar gods the Anaki.
The UR Lyre of Shamanic transformation in Mesopotamia: drink the gra-al \”the ambrosia of supreme sublimity\”, listen and navigate the stars
The shamanic/festivial use of a specific series of drums, trumpets and harps in Sumeria, had them all tuned at 432 hz, and related harmonics of 72 and its decimal 720. These instruments were utilised for pre-Arabic ethnobotanical plant and metal alchemy, which harvested the elixir of divination and divinity.
The \”god-kings\” utilised these within their sacred circle firestone dance. In the midst of these symphonic circles, they placed a phoenix (sky fire bird) fire stone, which was called the Sham.Mu.
Within the Mesopotamian cylinder seals (of which more than 100,000 such books have been unearthed so far) these \”fire stones\” are often described to be made out of \’superconducting-like\’ elements, usually monatomic iridium from meteorite. And from such cultural shamanic royal ceremonies, the seals describe that they opened the door to Anu, or Anuki – the heavens, the universe, for communion.
They had a very sophisticated musical science, that made a double helix (of dragons) from musical fifths and musical fourths, which were considered the sacred harmonics of the gods.
A tetrahedron has 720° of angles to the summation of its planes. A stellated cube, or interlocked tetrahedron (above), hence has 1,440° of angle to the entirety of its planes
Forinstance, their god Il.kur.gar RA/Assr, had the number 720 assigned to him, making a double helix of musical fifths and fourths. This is the precise number of plane angles on the Platonic solid the tetrahedron (12 x 60°). And by this their music and dance was a sacred rite of upliftment, divination, story telling, and healing.
Not only is 720 a decimal multiple of 72, but an interlocked tetrahedron of 2 x 720°, when duplicated 5 times and rotated on the Y-axis by 72°, composes the dodecahedron (see Universal Dances opening animation). The Earth\’s 12-faces foundation stone, remember, which rotates 1° in its axis every 72 years.
Hence, these proto-Greek roots of music had the sacred tuning of 432 hz, long before the Hellenistic artists musical renaissance. That itself is remarkable, since 432 hz touches the full twelve scale octaval overtones of all music in creation, whereas Bach\’s 440 hz only touches 8, leaving out an entire section of the complete musical resonance of the universe, which thus remains untouched and unintegrated within the 440 hz music of today. This 8 hz re-pitching of tuning hence makes A UNIVERSE OF DIFFERENCE.
The archaic sophistication of the Sumerian music, is even more remarkable when we remember that the heart beat of planet Earth beats at 8 hz, and 432 hz is a 54 times multiplication of 8 cycles per second, with 720 being a 90 x 8 hz multiplication mirror cascade harmonic image.
The 72 beats, 8 Hz embedding, 144 and 432 multiple geometrical harmonics of creation KI-board
Naturally this Mesopotamian sacred science, descended down into the Babylonian culture, and was absorbed and occulted by the ancient Roman Empire, who also absorbed some of the Greek and Egyptian Mysteries.
For Rome had utilised this sacred measure harmonic series as well, embedded in their measure, where, forinstance, 432 grains were 1 Uncia, which were 144 Unica in their weight measurements. Furthermore, 216 grains (half of 432 and 3 x 72) were 72 Semuncia, and 144 grains were 48 Duella.
But later, when the Roman Empire, which embodied and occulted the esoteric Babylonian priesthood or religion (who had absorbed the sacred measure from the Mesopotamians), also choose to absorb Christianity (in the form of the Roman Catholic Church). Whilst they also chose to hunt down all of the sacred musical rituals which did not come under the Monarchy\’s dominion and umbrella, reserved for the elite Patership of the Priesthood and cardinals. Often reserved for the Elite\’s arcane initiation ceremonies beneath the ground, in the subterranean catacombs beneath Rome and St. Peters Square.
The Empire hunted down the Mystery Schools of Eleusius and the Orpheus rites, in the Ph
armacratic and Ambient-cratic Inquisitions — killing all of the Epopti (literally where the word \”pope\” came from) the priests of the initiations.
DNA TRUMPET & GENETIC MUSIC ALCHEMY
In this Omega Age, when musical instruments are tuned at 432 cycles per second, no matter how hard the music might be, it will be harmonics that are produced. It will be healthy for the body, tuning the body, vibrating in fractal harmonics with the DNA helix sound matrix of life itself.
Those DNA helixes are musical instruments that are constantly receiving mhz of electricity and the audial currents, which require sound. If that sound is dis-harmonic, a DNA starts to resonate to external disharmonics. Should the external resonating tune sources, in a person of old age that has their DNA viruses resonating to the outside, become harmonic (such as a 432 hz based music, with all of the over- and undertones of 432) — then the DNA viruses will remember their coherent PHI-like spiral shape and get a form of regeneration, this we have intricately modelled in The Unity Keys Of Emmanuel.
Since 8 hz in DNA replication has been described by Scientific American (March 1965, p 28), to be behaving as a room temperature superconductor, the use of coherent geometrical music would enable such genetic alchemy. This is the regeneration music of Biogenesis.
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